Notes on Falling Water
- Crawdad Nelson
- Jul 7, 2017
- 1 min read

Long line of aluminum cattle cars thumping
slowly over the trestle
over the river running
deep and heavy,
reaching into the trees; broken wood
caught in jagged snares, a cracked salmon lure
in the branches on an island
hooks deep in the muck
accumulating as water flows—months
of high water moving debris
downstream—the white and red tarp
hangs drowning like a body, fat and dumb
in cold current backed against concrete
bridge footing midstream;
the surge among the branches on the bank,
a man living in the brush is staring forward,
a moment later someone plays a guitar,

barefoot, in the muddy fringe of reeds
near caved-in shoreline—the river runs deep
but not hard—boats glide against it,
ducks paddle in the slack
nosing through enormous drifts of seed--
the geese are paired and isolated, herding
down-covered goslings along to feed
on the land as it emerges out of water,
the grass seed and stubble that remain

on sandy banks, where people have left
shopping carts upended and empty, far
from home aisles, sinking into landscape
that accepts infinite lost items, and items
discarded in haste, and scraps of white film that snatch
out of each point on a hundred miles
of flooded riverbank—a flavorless plastic crop
left after water drops—blue tarps corroded by water
and earth, torn and half-sunk, twisted and mute,
plastic bottles and soda cans and empty forty ounce
beer bottles that have filled half with the liquid earth,
half with murky water, and lie on the
soft waterline: under water yesterday,
likely to be dry tomorrow.
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